James F. Ingalls’ designs for Mark Morris include Orfeo ed Euridice (Metropolitan Opera); King Arthur (English National Opera); Sylvia, Sandpaper Ballet, Maelstrom, and Pacific (San Franciso Ballet); Platée (Royal Opera House, Covent Garden, and New York City Opera); L’Allegro, il Penseroso ed il Moderato, Dido and Aeneas, and The Hard Nut (MMDG); Ein Herz (Paris Opera Ballet); and the initial White Oak Project tour. His work for Lincoln Center includes Zaide, Ainadamar, and Bach Cantatas, all directed by Peter Sellars, and Renaissance Muse, directed by Mark Lamos. At the Metropolitan Opera, Ingalls has also designed An American Tragedy, Salome, Benvenuto Cellini, The Gambler, War and Peace, and Wozzeck. Most recently, he designed A Flowering Tree and La Passion de Simone (New Crowned Hope Festival and the Barbican Centre, London), Doctor Atomic (Holland Festival/De Nederlandse Opera and San Francisco Opera), and The Cherry Orchard at Oregon Shakespeare Festival. He often collaborates with Saint Joseph Ballet in Santa Ana, California.