Mark Morris’ L’Allegro and Jerome Robbins’ Dances at a Gathering Rocket in to the Bay Area

Rather like El Niño’s oscillation between warm and cold in the Pacific, Morris’ monumental work cycles between two temperaments — the one irrepressibly gay (l’Allegro), the other pensive and introspective (il Penseroso). The poet Milton’s musings, richly ornamented by Handel, are brought to vivid life by Morris — though the cheeky choreographer doesn’t confine himself to any one method of word painting.