WENDALL K. HARRINGTON (Projection Design) has an extensive career in projection design across Broadway, opera, dance, and concert productions. Her Broadway credits include The Who’s Tommy, Driving Miss Daisy, Grey Gardens, The Capeman, Ragtime, The Will Rogers Follies, The Good Body, Putting It Together, Company, Freak, My One and Only, The Heidi Chronicles, and They’re Playing Our Song. Off-Broadway, her work includes Angels in America, Hapgood, As Thousands Cheer, and The Investigation. In opera, her designs have been featured in Werther at the Metropolitan Opera, Lucia di Lammermoor at LA Opera, and productions of Rusalka, La Fanciulla del West, The Grapes of Wrath, The Turn of the Screw, Nixon in China, and A View From the Bridge. In the dance world, she has designed Cinderella, Pictures at an Exhibition, Wartime Elegy, The Firebird, and Anna Karenina for Alexei Ratmansky; Ballet Mécanique for Doug Varone; Othello for Lar Lubovitch; Don Quixote for The Joffrey; and Firebird, A Midsummer Night’s Dream, and The Nutcracker for Miami City Ballet. Her concert work includes designs for Chris Rock, Simon and Garfunkel, John Fogerty, The Talking Heads, and William Bolcom’s Songs of Innocence and Experience. In addition to her design work, she lectures widely on projection design and leads the Projection Design concentration at the Yale School of Drama.